The food was good, but the experience was great!
I'm a sucker for a good view, particularly while eating. This photo was captured less than 10 ft from our table on the sidewalk. We sat down just as the sun was setting and watched the busy atmosphere of the street as the sky faded to dark blue. I had to repeatedly excuse myself from the table in order to take a few photos as the colors changed.
One World Observatory may be the highest observation deck in New York City (barely), but overall it is nothing compared to the experience of Top of the Rock. Yes, One World Observatory is new and high tech and more than 400 ft taller; but Top of the Rock has one very important distinguishing factor: open air.
Top of the Rock is three levels and the top level is the actual roof of the GE Building. For me personally, standing on the roof and feeling the wind far outweighed being a few hundred feet higher.
Of course, there are more practical reasons to prefer Top of the Rock. A good portion of the top level doesn't have any glass partitions separating you from the view, which is ideal for photography. You also get a phenomenal view of New York's most iconic building (in my opinion anyway).
Now if only we could move the MetLife building to get a better view of the Chrysler building...
Last August I was in Yosemite for a few days, mostly making panoramas. I had never been to the park before and I immediately fell in love with Olmsted Point. Most people would stop in the parking lot and stop at the viewpoints built into the sidewalk. The best view however was just a couple minutes down a trail to a large open rocky area. Incredible views of Half Dome to the south and Tenaya Lake to the north.
The panorama that I made at Olmsted Point unfortunately didn't turn out. I had forgotten that I made this single exposure shot before packing up that night. I found it today while cleaning up and organizing some old files. I'm really thrilled to have something to show of this spot that I love so much! I suppose this also proves that good things can come from cleaning :-)
I visit the North Rim of the Grand Canyon once a year, each May. The North Rim is an enchanting place, particularly once you arrive at the impressive lodge sitting right on the edge of the canyon. This year we happened to visit during a fairly late snow shower.
Friday afternoon and Saturday morning was an enchanting display of snow and fast moving low clouds. During the short walk to Bright Angel Point the canyon was constantly being covered and uncovered by clouds.
Sunrise on Saturday morning was certainly a highlight of the trip. View a larger and interactive version of this image on the panorama page.
The snow on the ground and trees was as brief as it was splendid, almost all of the snow was gone by Saturday afternoon.
At least it didn't rain...
This past March I was in Seattle as part of the AV team for Emerald City Comicon. I had the opportunity to drive back home to Phoenix and so ensued a whirlwind tour of the Pacific coast from Olympic National Park to San Francisco. Only four days after finishing that trip I headed off to Florida for another show. I'll be sharing photos from these two great adventures as they get processed.
Each of the two following images is the last image from each trip.
The Golden Gate Bridge
The photography portion of the trip ended in San Francisco. We enjoyed the rest of the sunset, packed up and headed to a hotel outside of the city.
Hillsboro Inlet Lighthouse
On my last morning in Florida I left South Beach at 4:30 in the morning to make it to Pompano in time for sunrise at my third lighthouse of the trip. I actually managed to find a traffic jam outside of Miami at 5am on a Sunday :-)
Both of these images can also be viewed on the Panorama page.
This past weekend my sister and I visited Picacho Peak for the first time in over 15 years. It was even more delightful than I remember. With time running out on Arizona's wildflower season and a tightly packed calendar I wasn't able to spend the time looking for the fields full of flowers that I would love to photograph someday. Even without the mountain completely covered in flowers like it was in 1998 it was still a beautiful excursion into a prime example of Arizona's glamorous desert.
The park is an impressive escape, especially considering it is right off I-10; you can't even tell that the interstate goes right through the middle of this photo :-)
I am a little embarrassed and upset to admit that so far as I can recall this was the first time that I parked my car on the side of McDowell road and entered Papago Park near the amphitheater. I have no idea how many times I have driven past this terrific view point...
This image is part of a new 360° project I am working on that should be coming out later this summer.
On this particular evening I had intended to test out a different lens for making high res panoramas. However when I got to the trail and was unloading my gear from the car I realized that I had left the vertical arm of my Nodal Ninja at home. Sad Face.
It was still a nice sunset :-)
This was from just a few minutes into the mountain preserve from the 40th St entrance. I don't make nearly enough images from the lower portions of this area as I should, I am a bit focused on the summits. One down, unlimited to go...
As I mentioned several weeks ago I'm a bit crazy and I love the cold. I get pretty excited when a hat and gloves are more than just a good idea to wear in the car while the engine warms up. So I was thrilled with our very short and mild cold spell we had at the beginning of the year. On New Years Day my wife and I hopped in the car and drove around trying to get close to the snow. We ended the day on the side of the Beeline Highway watching the sunset and the moonrise over the Four Peaks Wilderness area.
A couple of my favorite spots in this panorama are Weavers Needle and the headlights coming down Four Peaks Rd. There's also some car lights on the hills east of Weavers Needle, I'm not sure what road they are on so please comment if you know!
A rather fitting sunset for the city of Phoenix that truly calls attention to our mythical namesake.
This panorama was made at the same location as the image from the previous post, "A Cloudy Day" and less than an hour apart. I had originally intended on making a time-lapse on this particular evening but I am very pleased I settled on a pano instead!
I highly recommend going full screen :-)
I would love to hear any feedback that you may have on the panorama viewer, it is something new that I am trying out. Thank you!
I was born in Michigan but our family moved to Arizona before I was old enough to deal with the negative side effects of cold weather and snow. Consequently I am thrilled when it gets even close to "cold" here in Phoenix, and cloudy days are truly a blessing!
This image is from Mummy Mountain in Paradise Valley, Arizona. Most of Camelback Mountain is visible on the left and the lights of downtown Phoenix are just to it's right.
Sometime in the last year or two I saw an image on 500px of the Vista House in the Columbia River Gorge that greatly inspired me (regretfully I am not sure which one it was). I was very surprised to learn that this incredible view was less than hour outside of Portland, OR.
I happened to be passing through Portland recently and I am grateful to have now experienced it for myself.
Beauty is truly all around us.
A larger version can be viewed on Flickr.
Sentinel Dome, Yosemite National Park
My last evening in Yosemite was certainly the most rewarding. Shortly before capturing Sentinel Silhouette I made this large panorama. I was very happy to get the moon which was only visible for a couple minutes between rising and disappearing behind some clouds. If you click on the first Snapshot in the viewer above you will see the moon. Enjoy!
It took a while after the Guinness shoot for our schedules to line up but it was definitely worth the wait. We went back to see Austin from The Coulson Group to get some input on a custom camera mount for Tom's deck. Austin designed, cut, welded, sand blasted, and painted the mount on the spot!
With the mount finished we headed out to the hills of Arizona.
With 6 GoPros mounted on Tom and the deck. Our plan was to get as many unique angles as possible, we really wanted to let the viewer experience Tom's perspective. This picture only shows 5 of the cameras (Helmet, Wrist, Chest, Deck Boom Up and Deck Boom Down), the last one was on a long boom pole coming off Tom's back.
One of the stationary cameras got some video of a lizard sunbathing. It's pretty entertaining watching the Lizard get scared off the rock when Tom comes shooting past. Sadly I couldn't find a way to fit this into the finished video. Here is a clip of that:
Here is the raw run of the underside deck cam:
And the finished product!
I've just returned from a family trip to the Pacific Northwest. Since this was not a photography focused trip I don't have quite as many images as normal but I still managed to record a 7,580 image time-lapse sequence driving from Astoria to Seattle. I still have some fine tuning to do with that but I included a raw version below. I made quite a few videos with Instagram's new Hyperlapse app, which I am really enjoying. The driving time-lapse is part of some testing I am doing to see if I can approximate the Hyperlapse app's smoothness. I should have an image from the Columbia River Gorge up later this week (The Vista House is up!).
Unfortunately I don't have excellent records of my next series of tests. I made four bramping attempts during a family excursion to Mexico. The day after returning from Mexico I left for a two week out of state work trip and regrettably I am just now writing this almost a month later. I don't think I made any adjustments during ramping but I cannot remember.
*as mentioned in Part 1, I am chronicling my experiments with bulb ramping time lapse for my own future reference and to hopefully provide some insight to others who are getting started.
The Third Setup: Mayan Palace, Puerto Peñasco
Sunset: 7:36 pm
Civil Twilight: 8:04 pm
Nautical Twilight: 8:38 pm
Astronomical Twilight: 9:14 pm
f/5.6 | ISO 200 | ND0
Start Exposure: 1/80 | Interval: 15 sec | End Exposure: 25 sec | Ramp Duration: 37 min
Finally a decent (but not great) transition! I did much better with the timing of the ramping but balancing my slider with rocks was a bad idea. I started ramping one minute before sundown and ended ramping at 8:12, 8 minutes after Civil Twilight. I don't think I intentionally chose 8 min past Civil Twilight, but I can't remember exactly what made me end there. Getting the ending time closer to Civil Twilight really did the trick.
The Fourth Setup: Mayan Palace, Puerto Peñasco
My second setup in Mexico unfortunately didn't work at all. After getting a decent transition I decided to start the sequence earlier, which required an ND filter. That was my first time using an ND filter with the Promote Controller. I did not pay enough attention to it and missed the prompt to remove the filter and the unit timed out.
The Fifth Setup: Mayan Palace, Puerto Peñasco
Sunset: 7:35 pm
Civil Twilight: 8:03 pm
Nautical Twilight: 8:37 pm
Astronomical Twilight: 9:13 pm
f/5.6 | ISO 160 | ND4
Start Exposure: 1/250 | Interval: 15 sec | End Exposure: 40 sec | Ramp Duration: 45 min
So far I have been doing all of these tests in the exact same location at the resort. I thought the consistency would be helpful in comparing results later on. I made one small change on this setup that I didn't realize would have such an impact. Instead of letting the slider sit on the ground I put it up its tripods. This small change in composition made it so that two large flood lights were now in view of the camera below the reflection pool. It's an interesting effect to say the least you can see it in the video below.
This sequence started ramping right at sundown and ended 45 minutes later at 8:20 pm, 17 minutes past Civil Twilight. I ramped a little longer than on the previous test but I also increased the ending exposure, which I think evened it out.
In this version of the video I did reduce highlights using Camera Raw because the spotlights really blew everything out.
The Sixth Setup: Mayan Palace, Puerto Peñasco
Sunrise: 5:45 am
Civil Twilight: 5:17 am
Nautical Twilight: 4:44 am
Astronomical Twilight: 4:07 am
f/5.6 | ISO 320 | ND4
Start Exposure: 20 sec | Interval: 12 sec | End Exposure: 1/500 | Ramp Duration: 40 min
This was my first night to day transition and for some reason it has the most flickering that I have experienced so far. The ramping started at 5:02 am (15 minutes before Civil Twilight) but I think that was a little to early, either that or the clouds / landscaping lights were messing me up.
Overall I am pleased with my progress. The series of tests that I did in Mexico produced reasonable transitions. I think the next step is to pick a location in Phoenix and keep shooting it until it is perfect.
Lessons Learned So Far:
- Visit the shooting location prior to setting up the time-lapse to gather appropriate exposure information.
- Keep ramping times close to Civil Twilight (at least in the environments that I have been shooting in so far).
- If using a ND filter be sure to keep a close eye on the promote so you can remove / add the filter at the appropriate time.
After a recent working excursion in Reno, I had the opportunity to spend a few days in Yosemite National Park on the way home. It was my first time in the park so I spent most of my stay hitting the highlights and learning the lay of the land. I usually like to pre-visualize at least one image before a trip but I had no idea what to expect when I got there so I didn’t have any particular images in mind.
Here is the first image that I have had the chance to clean up. I am still working on putting together some gigapixel panoramas and a few time lapses, which I will hopefully have up soon.
Of the five full moons this year that (roughly) coincide with the moon’s moment of perigee, the full moon on August 10th at 11:11 AM Pacific held the distinction of occurring during the moon’s closest approach to Earth for the entire year. Though technically perigee occurred 27 minutes before the full moon, at this moment the moon was 356,896 km from earth. The moon will not be this close again until September 28th, 2015, when it will be a mere 356,877 km away.
These events are often referred to as “Super Moons”, though “slightly bigger than average moons” would be a more fitting name. I enjoy photographing the moon at these times because every little bit helps but I try not to fall too much into the hype :-)
Sentinel Silhouette was captured on August 9th shortly after sunset from the top of Sentinel Dome in Yosemite. Since this particular evening was very close to the fully illuminated and “slightly bigger than average” moon, a large crowd had gathered at the summit of this easily accessible dome. The woman in the photo was a member of a group who had been coming to Sentinel Dome to observe the “super moon” for multiple years. After the moon had risen and the sun had set she was standing on top of a large metal plaque embedded into a rock that points out the various landmarks in the surrounding area. Using her foot to trace the lines along the plaque created her unique stance.
During my second attempt at bulb ramping I added my motorized slider into the mix. One of the reasons I chose the Promote controller is its ability to interface with other devices. Otherwise I probably would have gotten the CamRanger. I built my slider myself following instructions from The Chronos Project. The Promote works like a dream with my slider.
*as mentioned in Part 1, I am chronicling my experiments with bulb ramping time lapse for my own future reference and to hopefully provide some insight to others who are getting started.
The Second Setup: Civic Space Park Downtown Phoenix
Sunset: 7:39 pm
Civil Twilight: 8:07 pm
Nautical Twilight: 8:41 pm
Astronomical Twilight: 9:19 pm
f/5.6 | ISO 200
Start Exposure: 1/60 | Interval: 15 sec | End Exposure: 8 sec | Ramp Duration: 1 hr 35 min
I had a ten minute delay set in the Promote so I started the sequence ten minutes before sundown (though cramping would not start until actual sundown). The sequence would finish 5 minutes before astronomical twilight. After the first test I decided I would have the ramping last until roughly 15-20 minutes after Civil Twilight. I thought that was necessary because of the bright ambient light in front of the Herberger. The location for the second test was darker so I went with an end time closer to Astronomical twilight.
However it turned out that the ramp duration needed to be much shorter at this location as well. Here is a comparison of the actual exposure at 8:27 pm (20 minutes after civil twilight) against a simulated 8 seconds (created using camera raw) of the same image. I much prefer the look of the 8 second exposure.
What I Would Do Differently
The biggest issue with this test is that the bramping duration is still too long. It needed to end much closer to civil twilight. After having the same issue twice I will definitely be shortening the bramping duration for the next test.
The unedited (no color correction, de-flickering, etc.) assembly.
This week I finally started testing my recently acquired Promote Control. This is my first foray into day to night (and vice versa) transitions during time-lapse. I will be documenting all of my tests here for my own future reference and to hopefully help someone else out with getting into the "Holy Grail" of time-lapse.
The First Setup: at Herberger Theatre in Downtown Phoenix
Sunset: 7:41 pm
Civil Twilight: 8:09 pm
Nautical Twilight: 8:44 pm
Astronomical Twilight: 9:23 pm
f/5.6 | ISO 100
Start Exposure: 1/6 | Interval: 15 sec | End Exposure: 25 sec | Ramp Duration: 1 hr 41 min
I started the ramping right at sundown, with the intention of it ending right at astronomical twilight. About halfway through the sequence I realized that the ending exposure would be way too bright. I used the live modification feature on the promote to start reducing the final exposure but it was too late to get the effect I really wanted. This is a bit of tough spot for exposure because there is no direct lighting on the side of the sculptures that are facing the camera and the fancy streetlights are very bright.
What I Would Do Next Time:
Next time at this location I will set the ending exposure to be 5 seconds. I will also have the ramping end approximately 20 - 25 minutes after civil twilight begins because the ambient light was so bright here that past that point you couldn't see much of the sky anyway.